Many thanks to all who supported me and helped in practical ways to make it happen, including Malinda, Simon, Maria and Adele.
​
Many thanks also to Katrina Lazaroff, who gave a beautiful opening speech. Katrina is the CEO and Artistic Director of The Mill, South Australia’s leading multidisciplinary arts organisation, opened the exhibition, and I felt greatly honoured to have her officiate.

The exhibition runs for the whole of August, so there is plenty of time for you to visit the DOB and see my works.

There are 12 paintings, all with an Augmented Reality (AR) dimension. What does that mean? It means that in order to enjoy the full experience when looking at the artwork, you need to view it through the Artivive mobile phone app and have earphones plugged in to your phone. This is because I have created unique animations with a 3D feel for each work. In addition, a soundscape composed especially for each individual work by sonic artist Simon Koehn has been added. That is why you need your mobile phone and your earphones with you when you visit the exhibition.

Here are some instructions for getting your mobile device ready to view the artworks:

Once you have installed to app on your device you can try it out on the painting below.  You'll need to get the painting up on another device or computer screen, then point your phone's camera at the painting while the Artivive app is open, and hey presto!

You can see the exhibition during the DOB's normal opening hours. It's actually a great place to have a meal, with a casual atmosphere and a completely gluten free menu! One tip about that: if you want a meal there you need to book. It's a popular spot.

And while you're there, have a look at the quirky, fun art of Meg Mader and Stu Nankivell. Coincidentally they had an opening on the same afternoon as I did, and double coincidentally, they have also applied AR to their artworks. So you'll need your phone loaded with the Artivive app to view their works as well. They are definitely worth a look. Click here to go to Meg's Facebook page.

Oliver Gerhard

SALA stands for South Australian Living Artists, and the SALA Festival, which is held every year in August, involves some 600 venues and 9000 artists!....Gaping mouths!

Why not visit the SALA website? If you find my entry in the program you will see two of my paintings and be able to sample the AR enhancements by pointing your mobile camera at the image on the screen (with the Artivive app installed and open). And don't forget to use earphones.

And guess what? I am a finalist for the SALA ​Unitcare Services Digital Media Award! ....Cymbals and fireworks!!!
Apparently judging will be during the festival.

Here's some more information about how you can experience AR at my exhibition:

Oliver Gerhard

Using some good quality, pre-gessoed  cotton-duck and some beautiful pine stretcher bars purchased from Art Stretchers last month, I assembled three canvases, two large and one small.

Hang on....the gait of emus, I hear you muse?
Yes, the gait of emus.

I acknowledge this might sound rather odd, but I'd like to keep  you in suspense for the time being.
Except to say that it has something to do with my August SALA exhibition, After the Rains. If you want to fine out more, head to the Illume Arts Studio Facebook page.

Summer days lost - Kangaroo Island       

   Deliquescence - Lake Torrens         

Several years ago I came across a clearance sale where pastels were going for an unbeatable price, and I nabbed as many as I could. Pastel paintings have featured amongst my works ever since.

'Pastel painting?' I hear some of you say, 'Aren't they best described as drawings?' Well, despite the fact that pastels come in crayon or pencil form, the term painting is used to describe a pastel artwork, provided the entire surface of the work is covered. If it isn't, then the term drawing may be used. I usually refer to my pastel works as paintings because I cover the surface with them.

Why do I like pastels so much?

They are easy to use, needing no smelly solvents. You don't have the problem of having to finish working them before they dry (watercolours and acrylics), or waiting weeks until they are dry (oils). The colours are vibrant, despite the fact that used as an adjective, pastel means pale. The artist can achieve a range of textures, from very soft blends and gradients, to rough and raw. If one insists on using them as watercolours, that can also be done, applying water to create a wash effect. They are also easy to go over or erase. Some types of pastels are hard, some are soft, some come in chunky blocks, others come in pencil form. I prefer soft pastels.

One drawback with pastels is that they generate dust. I can get pretty messy when doing a pastel. The dust also creates complications for care of pastel paintings. I always seal my pastel paintings using a spray-on fixative that smells like hair spray. I suspect it is the same stuff! If you’ve ever used hairspray you’ll know that while it holds, it does not make one’s hair as solid as a rock. Similarly, pastel fixative does not completely prevent smudging or dust fall. This is something you might like to note if ever you buy one. When framing a pastel I will put it behind glass, and I’ll also create a gap between the painting and any mattboard I use to mount the work. It is inevitable that over time, some dust will fall from the work. If a gap is left for the dust to fall behind, it doesn’t accumulate on the edge of the mattboard, which would be somewhat unsightly. When transporting a pastel it is important that it is kept upright so that dust does not cloud the glass or fall on the mattboard.

In case you assume pastel is a rather obscure medium, it’s been used by some very famous artists, two you may have heard of being Jean François Millet and Edgar Degas.

Dancers at the Barre, by Edgar Degas.

Ostinato, ​Malinda Jenner